Mono.xID - Light In Your Hands

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Mono-xID
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Mono.xID - Light In Your Hands

Post by Mono-xID »

http://soundcloud.com/monoxid

Behringer = ARTS label of synths

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jordanneke
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Re: Mono.xID - Light In Your Hands

Post by jordanneke »

Haven't listened to this yet.

I pretty sure it'll suck ass though.


:D

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jordanneke
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Re: Mono.xID - Light In Your Hands

Post by jordanneke »

Man, that's some kick!

The only criticism I have is that the way you've structured the break, all the energy/tension dissipates before the drop, so it's a let-down when the kick drops.

Good shit man.

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zukenbauer
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Re: Mono.xID - Light In Your Hands

Post by zukenbauer »

I like everything from arrangement to sound design. I think you and Mattias should make a track together, that would be sick

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Mattias
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Re: Mono.xID - Light In Your Hands

Post by Mattias »

Everything is just right, as always. Good stuff

Image
Music Page: http://www.facebook.com/Mattias.Fridell.Music
Soundcloud: http://soundcloud.com/fridell
Sample packs: http://mfsamples.bandcamp.com

Contention / 005

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Mono-xID
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Re: Mono.xID - Light In Your Hands

Post by Mono-xID »

Mattias wrote:Everything is just right, as always. Good stuff

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Ha ha...thanks brother !!!!!
http://soundcloud.com/monoxid

Behringer = ARTS label of synths

seventh serpent
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Re: Mono.xID - Light In Your Hands

Post by seventh serpent »

very good sound
i cant find any criticism
this is professional stuff

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Re: Mono.xID - Light In Your Hands

Post by dubdub »

Great sound design.

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Aurongroove
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Re: Mono.xID - Light In Your Hands

Post by Aurongroove »

Hey bitches. I'm back from Kansas.


This was very good in general.

Nice to hear a track where the Kick has room to dominate. and I love when sometimes techno tracks just sound like the bassline is made out of 'sculpted' low-end reverb/rumble/noise.

I'm not sure the "exchanges" in this 3 minute span are good musical trades, and for a track of this nature, they need to be. The 'removal' of an element needs to put an effective spotlight on what is still playing, and the trading of one element for another needs to feel like musical progress.

The main exchange at the drop @ 1:17 is a hi hat element for a clap element, and it just sounds like "no big whoop". Like wise, the big breakdown, bring in all the high Porc elements, and then drops into a stripped back kick/bass/synth passage, which sounds more like the track winding down to finish, rather then a main point of interest.

It's either "good, but this is the wrong 3 minutes of the track to put up for listening".
or,
It's well produced yes, but needs a rearrangment to be as effective as it could potentially be.
I'm Hilarious


Some professional mastering engineers use multi-band compressors.


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