Mono.xID - Light In Your Hands
- jordanneke
- subsekt
- Posts: 4166
- Joined: Sat Nov 03, 2012 2:16 pm
Re: Mono.xID - Light In Your Hands
Haven't listened to this yet.
I pretty sure it'll suck ass though.
I pretty sure it'll suck ass though.
- jordanneke
- subsekt
- Posts: 4166
- Joined: Sat Nov 03, 2012 2:16 pm
Re: Mono.xID - Light In Your Hands
Man, that's some kick!
The only criticism I have is that the way you've structured the break, all the energy/tension dissipates before the drop, so it's a let-down when the kick drops.
Good shit man.
The only criticism I have is that the way you've structured the break, all the energy/tension dissipates before the drop, so it's a let-down when the kick drops.
Good shit man.
- zukenbauer
- You only live once
- Posts: 512
- Joined: Sun Feb 14, 2016 1:52 pm
Re: Mono.xID - Light In Your Hands
I like everything from arrangement to sound design. I think you and Mattias should make a track together, that would be sick
Re: Mono.xID - Light In Your Hands
Everything is just right, as always. Good stuff
• Music Page: http://www.facebook.com/Mattias.Fridell.Music
• Soundcloud: http://soundcloud.com/fridell
• Sample packs: http://mfsamples.bandcamp.com
Contention / 005
• Soundcloud: http://soundcloud.com/fridell
• Sample packs: http://mfsamples.bandcamp.com
Contention / 005
Re: Mono.xID - Light In Your Hands
Ha ha...thanks brother !!!!!Mattias wrote:Everything is just right, as always. Good stuff
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- Poo Fingers
- Posts: 50
- Joined: Fri Feb 03, 2017 9:06 am
Re: Mono.xID - Light In Your Hands
very good sound
i cant find any criticism
this is professional stuff
i cant find any criticism
this is professional stuff
- Aurongroove
- pregnant
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- Location: Ireland
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Re: Mono.xID - Light In Your Hands
Hey bitches. I'm back from Kansas.
This was very good in general.
Nice to hear a track where the Kick has room to dominate. and I love when sometimes techno tracks just sound like the bassline is made out of 'sculpted' low-end reverb/rumble/noise.
I'm not sure the "exchanges" in this 3 minute span are good musical trades, and for a track of this nature, they need to be. The 'removal' of an element needs to put an effective spotlight on what is still playing, and the trading of one element for another needs to feel like musical progress.
The main exchange at the drop @ 1:17 is a hi hat element for a clap element, and it just sounds like "no big whoop". Like wise, the big breakdown, bring in all the high Porc elements, and then drops into a stripped back kick/bass/synth passage, which sounds more like the track winding down to finish, rather then a main point of interest.
It's either "good, but this is the wrong 3 minutes of the track to put up for listening".
or,
It's well produced yes, but needs a rearrangment to be as effective as it could potentially be.
This was very good in general.
Nice to hear a track where the Kick has room to dominate. and I love when sometimes techno tracks just sound like the bassline is made out of 'sculpted' low-end reverb/rumble/noise.
I'm not sure the "exchanges" in this 3 minute span are good musical trades, and for a track of this nature, they need to be. The 'removal' of an element needs to put an effective spotlight on what is still playing, and the trading of one element for another needs to feel like musical progress.
The main exchange at the drop @ 1:17 is a hi hat element for a clap element, and it just sounds like "no big whoop". Like wise, the big breakdown, bring in all the high Porc elements, and then drops into a stripped back kick/bass/synth passage, which sounds more like the track winding down to finish, rather then a main point of interest.
It's either "good, but this is the wrong 3 minutes of the track to put up for listening".
or,
It's well produced yes, but needs a rearrangment to be as effective as it could potentially be.
I'm Hilarious
Some professional mastering engineers use multi-band compressors.
Some professional mastering engineers use multi-band compressors.