Creating heavy heavy heavy techno sub bass lines!

[Lost to the Void]

Very pure tones aren`t good for rumble, you just end up with old school sub.
So something with at least 2 oscillators is more appropriate.

With everyone sounding increasingly samey, try to not worry about the correct way of generating this sound, do it the weirdest way possible and then just EQ the fucker to fit.

[Críoch]

Corpus in Ableton is mental for low stuff..

[Lost to the Void]

Yeah it`s great.

[surface]

Never really explored Corpus. Now I have to ..

[parents]

Does Corpus comes on a vst ed?

[bram2000]

Does Corpus comes on a vst ed?

Yeah Corpus and Collision are basically a cut down version of of AAS Chromaphone.

[Planar]

Chromaphone doesn't do what Corpus does. Tassman can do what Corpus does and more, I believe, but you'd have to build it yourself in that hideous interface.

[Koichi]

Corpus in Ableton is mental for low stuff..

forgot about this - started reexploring - thanks for prompt!

[Críoch]

Obviously, the key is to find the right type of 'sound' setting or whatever they call it.. Pipe, plate, string, beam etc.. And turn the pitch down in corpus. The decay dial helps control it.

[tuuluuwag]

This has been covered and covered and covered and covered here.

One simple method, take a kick, add reverb then some saturation, keep the reverb short, roll off a lot of the highs, maybe give a little boost somewhere between 60 and 120.

Add another kick for clarity over the top with a roll off from 60 down. Boom, job done, Bergein-arama.
Add hi hat, a chordal stab, drag the whole thing out for 6 minutes, release on CLR

Also resampling the big reverbed kick will then give you more control over the whole thing, ie tuning the release.

The trick is to use either compression or saturation to mash the verb into the kick

best comment in the thread.. chuckled wholeheartedly.